Cello Concerto R89
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There is one review of Symphony recordings in the Gramofile records on the net since 1983, which is currently in print. The only other commercial recording, on a 1970 Lyrita LP, is by Peers Coetmore with Boult and the LPO. This is perhaps of historical interest only - there are severe flaws in the performance which make it an almost painful experience to hear.

Chandos CHAN8456
Wallfisch/Bournemouth Sinfonietta/Del Mar
Published September 1986

Written at the end of the Second World War, Moeran's Cello Concerto is a dark, sombre work, in which the prevailing feeling of sadness and regret is relieved only at the beginning of the last movement by an Irish reel-like tune, whose jauntiness soon however gives way to a more introspective mood similar in feeling to the material of the first two movements. It's an elusive piece, but repeated hearings reveal many passages of exquisite beauty, and it is good to have it in such a sympathetic and well-played performance as this. This 1969 Lyrita recording, by Moeran's wife Peers Coetmore, for whom the Concerto was written, gives an inadequate picture of the work, since her insight is not matched by playing of sufficient strength or skill. Raphael Wallfisch, on the other hand, plays with much beauty of tone and phrasing and Norman Del Mar obtains eloquent, high-quality playing from the orchestra.

The new record is most welcome...for the revelatory account of the Cello Concerto.

AS

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...a dark, sombre work, in which the prevailing feeling of sadness and regret is relieved only at the beginning of the last movement...